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Architectural Elements
Art
Beds
Bracelet
Ceiling Lighting
Chair
Chandelier
Concrete seat
Console
Dining table
Fabric
Fireplace
Foyer Table
Furniture
Jewelry
Lamp
Lighting
Mirrors
Necklace
Object
Painting
Panels
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Side Table
Storage
Table
Textile
Wall art
Wall Sconce
Wallpaper
Acrylic
Beige colored concrete in smooth finish
Brass
Carved Wood
Cherry
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Concrete
Concrete, Liquid, Bronze Skin, LED
Hand patinated steel
Hardwood
Jamdani Upholstery
Linen
Linen threads and African plant fibers
Maple
MDF
Metal
Mirror
Mixed media
Oak Wood
Polyurethane
Porcelain
Silver/Mixed Metal
Stained Walnut
steel
Stoneware
Travertine, brass insert
Walnut Wood, Cane, Brass
wire
Wood, Brass
Æquō
Anna Shipulina
Annemette Beck
Camille de Prêtre
Haren Das
Huma Sulaiman
Katrien Van Der Schueren
LGS Studio
Mohammad Rubel
Nadège Mouyssinat
Nadine Weatherstone
Sabah
samuel de jong
tristan louis marsh
A brass silhouette where primal landscapes meet refined contemporary craft
Mirrors
Brass, Mirror
28 3/4" W x 2 1/4" D x 50 1/4" H
In a consequential collaboration with ÆQUO, Thús Huma presents a distinctive brass mirror by Linde Freya Tangelder at our West Hollywood show-space. Actualised through a reinvention of the repoussé technique, the piece echoes the rugged granite landscapes of Karnataka, where visions of primitive forms merge with refined control. Hand-carved teak wood is adorned in brass, joined by visible soldering that creates an artful dialogue between structure and surface. It is a storied encounter—a transformative silhouette where worldly narratives and contemporary design converge, offering a sanctuary for those who seek character in the honest and the unbounded.
Æquo is a curatorial platform founded by Tarini Jindal Handa, with creative direction by Florence Louisy. Conceived through conversations in Paris in 2019, it emerged from a shared recognition of the need for spaces that hold collectible design with intention in India. At its heart, Æquo brings together global designers and regional craft traditions, allowing new design languages to take shape through dialogue and collaboration. Derived from the Latin æquō, meaning equal, the name reflects the gallery’s ethos. Each work gives equal regard to maker and method, design and technique. Through careful partnerships, Æquo brings forward exceptional Indian craftsmanship, often unseen, recontextualising it within contemporary forms. The result is a body of work that honours tradition while looking ahead, objects shaped by heritage, yet firmly rooted in the present.
